Bill Graham Intro
Beat It On Down the Line
Brown Eyed Women
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Looks Like Rain
Playin' In The Band
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Eyes of the World >
Reel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade.
While you may find this to be one of the very best sounding 1973 audience recordings you have encountered, please note the persistence of wind noise here and there throughout the show. Ambient most of the time, mildly distracting only occasionally, and intrusive only a handful of times, the wind element in no way overshadows the brilliance of the recording, but bears mentioning, none-the-less.
d1t01 from Jerry Moore master
d1t02 first 1:23 from Jerry Moore master. 01:23-02:21 no right channel (left channel mixed mono).
d2t01 16:35 - 16:50 master reel flip patched from Jerry Moore master
d2t04 10:12 - 10:38 master reel flip patched from Jeff Siniawsky master
d3t02 04:03 - 04:28 master reel flip patched from Jeff Siniawsky master
d3t04 19:23 - 19:58 master reel flip patched from Jeff Siniawsky master
November 22, 2014 Subject:
Not as good as many shows from this summer, but pretty good still.
April 5, 2010 Subject:
Brings back loads of memories...
So wonderful to see the Summer jam show on the archive. I was at this show-arrived about 3 days earlier to get into the vibe of the place and party with friends and new neighbors. By the day before- it was a sea of humanity. I remember dancing and sliding in the mud in (& after) the downpour during the Band's set. Much is said - in deadbase and in other places- about how awesome the soundcheck was the night before and doesn't really give any good reviews for the main concert the next day- but, after listening to it, I think this 'regular' show is underrated and not too shabby either!
Maybe the Jam that was performed during the soundcheck skews more in favor of that show with some people-but there is some very fine playing on much of this show. Seems to be a typical 1973 show-which is fine by me! I do have to say that- with all of the chemicals used that day-I do not recall much of the music at all (I remember a friend and I being more enamored with the clouds passing above and some skydivers.) What is it they say about the 60s-if you remember most of it-you weren't there. Ditto for this event,I think. But I do remember that I had loads of fun...and 37 years later..that hasn't changed.
April 5, 2010 Subject:
Its a little foggy these days....
I was there also....all I remember is abandoning the car miles away,and walking forever to get there.And a shit load of empty water jugs....ask me about the concert all I remember is a little bit of the united jam.....but I was told we had a great time...
This aud sound fluxes but in places it sounds pretty good....
April 4, 2010 Subject:
Summer Jam '73! I still remember hearing Tennessee Jed from a mile away as we walked toward the stage the day before and thinking we were in a dream. It was just the sound check, which turned into a great concert of it's own. More people came here than came to Woodstock, 600,000. I took a hundred pictures there, now I just have to find them. Somewhere I read a great story by Dan Healy who was the sound man. They needed another McIntosh 2300 amplifier so he brought $2000 or whatever they cost in small bills rolled into his t-shirt and took a backstage helicopter to nearby Binghamton where they were made, I guess they took him right to the factory on Chambers Street. The roads were all jammed with cars coming to the concert. They were closed but through some miracle someone came and opened up and sold him the amp, and he dragged it onto the helicopter and the rest is history.
Source: Analog Audience Source: Sony ECM 270 mic > Sony TC 110 deck; Medium Stock Brands: TDK C120SD; Analog Sound Preservation: MAC > Nak DR-1 > Korg MR-2 2.8mhz > AudioGate 2496 WAV; Recorded by: Louis Falanga; Transferred by: Bob Menke; Mastering by: Derek McCabe
favorite ( 1 reviews ) Source: Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
favoritefavoritefavoritefavoritefavorite ( 1 reviews ) Source: Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
favoritefavoritefavoritefavoritefavorite ( 3 reviews ) Source: Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
favoritefavorite ( 3 reviews ) Source: Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC